The Wolverine comes to life and death from comic books to the big screen

Don’t you just love Hugh Jackman?  He’s like an action figure that can sing and dance.   The Wolverine is a journey into one of X-Men’s most conflicted and developed characters on screen.  If you love Wolverine, you’re going to love this movie.  If you’re not familiar with the famous steel-taloned superhero from the comic books, you’ll still be entertained.

 

Within the first ten minutes of the show, the audience is treated with some background story, amazing CGI of the blast at Nagasaki and a close-up view of how a superhero recovers from atomic burns.  Wolverine saves a young Japanese soldier from the bomb, who later wants to repay his kindness before dying as an old man…a rich old man.  Most of the film takes place in Japan, combining ancient Japanese tradition with the ageless history of Wolverine.

 

For the ladies, Hugh Jackman is often topless, revealing an impressively sculpted body and evidence of a hard-working actor.  Movie critic Roger Ebert calls him a “metal-clawed mountain of muscle.”  For the guys, Jackman shows off some cool action moves and quick fighting sequences, enough to match skills with the most awesome of ninjas.  And yes, there ARE ninjas in the movie.  Who doesn’t like a good ninja?  Well, unfortunately, the ones in this movie are all bad.

 

The Wolverine battles with lots of bad guys in this movie, as well as himself, as he decides what is worth living for in his immortal life or what is worth dying for.  Logan must decide whether or not to accept the gift of mortality from his old friend, Kenuichio Harada who is now a billionaire and head of a technology company that can help the Wolverine get the thing he wants most: death. 

 

Hugh Jackman and director James Mangold worked together before in Kate & Leopold.  The writers provide Logan with lots of flashbacks and moments to reflect, sometimes making you want to yell at the screen “Just snap out of it already and be awesome!”

 

Rila Fukushima plays Yukio, a young Manga-inspired body-guard, complete with red hair, rockin black boots, and admirable loyalty.  Tao Okamoto plays Mariko, the grand-daughter of Harada and heir to his fortune. While Wolverine struggles with guilt from his lost love, Jean, he carefully falls for Mariko and is sworn to protect her.

 

Russian actress Svetlana Khodchenkova plays Viper, a mutant doctor who wears ridiculously sexy outfits to hold the audience’s attention, yet doesn’t have much depth to her character.  Maybe in a sequel we’ll learn more about her?  While she gets lots of cute fashion ensembles, Wolverine is either topless or sports a wife-beater t-shirt a la Bruce Willis in the Die Hard movies.  I like the way his hair tweaks out on the sides to make him look like the comic book figure.

 

The bath tub scene is pretty cute where some female Japanese servants help transform the scruffy Logan from a cave man who hangs out in the wilderness into a clean superhero.     Another funny scene is when the Minister of Justice gets thrown out of a window wearing red underwear.

 

The impressive fight scene atop a bullet train in Japan makes the recent Lone Ranger train scenes pale in comparison.  Unfortunately, the ending was a bit cheesy, as well as a few lame lines like when Wolverine says “Don’t hit my friends” or when he answers the question “What kind of monster are you?” with “The Wolverine.”  Since I’m a mom of 4 boys, I hate it when the hero has to drop F-bombs to make an impact, like when he says “Go F___ yourself, Pretty Boy.”  Yeah, the audience laughed, but surely the writers could have come up with something more witty and appropriate for young boys everywhere to mimic for weeks after watching the film.

 

The end of the movie presents a Pacific Rim Samurai version of a robot that is kind of cool.   A line often repeated by Rila Fukushima in the movie describes it well….”interesting.”  Hamada calls Logan a “ronin”, a Samurai without a master.  Interestingly, before the movie began a trailer played for an upcoming movie entitled “47 Ronin” which should offer some impressive fight scenes that even the Wolverine would want to join in on.

 

 

PG-13, 120 minutes.

What did YOU think of Les Miserables?

Nominated for BEST PICTURE today at the Academy Awards nomination ceremony!

Yep, I was one of the excited fans who lined up to see Les Miserables on Christmas Day.  Usually, Christmas day is spent at home with family, but I just couldn't wait to see this film and introduce my kids to this beloved story and music.  I loved it and cried like a blubbering idiot at the end....BUT....parents beware.

This film definitely should have been rated R.  I remember seeing trailers for Les Mis several months ago and thought it interesting that the preview always carried the text "this film has not yet been rated."  I was hoping for a PG-13 so that I could take my family to see it.  Granted, the subject matter of the story includes several dark themes, but you don't have to show all of the filth in the gutter to know it's there, right?

For example, the prostitute scene went far beyond what it needed to get the point across.  I was completely shocked and extremely disappointed.  My four sons sat next to me watching something they should never have to see.  Call me an over-protective mother, but really?  Did we have to see that played out?  The thing about rated R movies and disturbing images is that, once seen, they're  difficult to erase from your mind. Isn't the point of an R rating to protect younger, more innocent eyes and minds?  Did it seriously NOT cross the minds of those who determine ratings that a scene like that would be offensive to tender eyes?

Likewise, the innkeepers are usually the comic relief in the stage production of Les Miserables, but in this movie they were vulgar and disgusting. They weren't playfully imperfect, but simply crude and revolting.  There were only a few quiet laughs in the movie audience, not the usual adoring applause that a more innocent stage play evokes for the Thenardiers.

Less can definitely be more. When Russell Crowe's character Javert jumps off the bridge you hear the loud thump and crunch of his body hitting below, eliciting a united groan from the audience.  We don't have to see and hear everything to understand what is happening.  While I applaud the director for making certain bold choices, I am disappointed that he didn't rate this movie correctly and he went too far with other things.

I would have loved to see Fantine dressed in a clean, white dress with her long hair again in the end when she was escorting Jean Valjean to his heavenly reward...she was in heaven, after all.  (wink)  Anne Hathaway did a magnificent job, as did Hugh Jackman. While this movie version doesn't provide the "pretty" rendition of the songs, it packs a powerful emotional punch that makes you feel the music in an entirely new way. Hugh Jackman's meaty performance was truly inspiring.
What a special treat to see Colm Wilkinson, who was the first Valjean on Broadway, included in the cast in the role of the forgiving Bishop of Dignewas.  Russell Crowe's performance was believable as a tormented, driven man, but his vocals weren't as strong as most people had hoped to hear from Javert.

Speaking as a parent who wants to share good movies with my children, the "Titanic" movie was great....except for that one nude scene.....this movie had a similar effect on me...it would have gotten two thumbs way up from me...except for the prostitution scene and the innkeepers' crudeness.  Parents: beware.

My favorite line: To love another person is to see the face of God.  We are all truly "lost in the valley of the night" as we long to be a people "who are climbing to the light."